"Owned by the Devil" Chapter 50
Friday morning arrived with a crisp, golden clarity. The autumn sun spilled across the city, carrying a lazy warmth that softened the biting edges of the bay wind.
While the Sovereign and his rare creature remained buried in the lingering heat of the master suite, the old gallery across town prepared for a visitor.
The Director stood on the stone steps, watching a silhouette approach. The man wore a light blue button-down and a plaid sweater—a pristine, academic aesthetic that felt entirely British. He moved with a rhythmic, measured pace that radiated a bone-deep composure.
The Director stepped forward and offered a rare embrace.
"William. You haven't changed a bit."
Inside, the gallery was a vast, echoing vault of silence. Their footsteps created hollow, high-reaching sounds against the marble.
"I owe you a debt," the Director said, his voice lowering with genuine gratitude. "Without your capital, the doors would have been chained by now. This place would have ceased to exist."
Timothy Brown offered a faint, elegant smile. "It was necessary."
"Heh." The Director shook his head. "In the world of private equity, you're the only man who would throw millions into a project with zero ROI and no market value."
Timothy listened, his expression a clinical mask. He showed none of the predatory intent common in his industry.
"You've been away for a long time," the Director noted. "Any plans to move your operations home? Or follow your parents to the States? Running a firm in London without family support... it's a grueling life."
"London is fine," Timothy replied, his voice as steady as a mountain stream. "The States has Goldman; the domestic market has the Lancasters. VC and PE are the same war zone regardless of the coordinates."
The Director sighed. "Staying there alone... it's inconvenient."
"It's convenient," Timothy countered. "Convenient for waiting."
He stopped abruptly in front of a canvas. He stared at it, his hands buried deep in his pockets, his knuckles turning white as he clenched his fists.
The woman in the frame had deep eyes and long lashes, her hands folded over a secret. A smile that had intoxicated the world for centuries.
"A Mona Lisa replica," the Director observed. "You're a fan?"
"No," Timothy murmured, his gaze fixed on the paint. "A friend of mine was. She could stand in the Louvre and study this for two hours without blinking."
The Director caught the shift in the air—the sudden drop in the room's emotional temperature.
"A lover?"
Timothy didn't answer. A shadow of mist-like loneliness flickered in his eyes.
"She was... a creature of silence. She never boasted, never performed. She had this way of reading—she looked like a piece of art herself. She knew everything and shared nothing."
"A rare find these days," the Director admitted.
"Let me tell you a story," Timothy said, his voice carrying a jagged edge of nostalgia. "During our final year at Cambridge, she submitted a painting for the European Literature exam. She spent three weeks on it. On the final night, someone destroyed it. The competition for the Royal Academy fellowship was a bloodbath—there was only one slot."
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The Director winced. "I assume she broke down?"
"No." Timothy's jaw tightened. "I never saw her cry. Not once. She didn't even complain. She just picked up the ruined canvas, stayed up for twelve hours, and produced a second masterpiece from memory."
"And? Did she win?"
Timothy nodded.
"But she never showed up for the induction. She was marked as a forfeit."
The Director went rigid. "Why?"
"Because she vanished," Timothy whispered, his expression fracturing. "Her family had a crisis. She never told us. She didn't tell a single soul."
Including him.
The clock on the wall ticked forward. The morning crowd began to filter in, the silence of the gallery beginning to dissolve.
Timothy checked his watch, his handsome face turning back toward the Director with a polite, clinical nod. "I should go. My time is up."
"So soon?" The Director looked disappointed. "I wanted to introduce you to one of our researchers. She's brilliant—the two of you would have spoken the same language."
He let out a heavy sigh. "But her 'family' called in this morning. Said she wasn't feeling well. She's taking a personal day."
"Next time," Timothy promised, offering a hollow comfort.
"You always say that. I won't see you for another year."
At the glass entrance, Timothy's assistant held the door. "Mr. Brown, the car is waiting."
Timothy walked down the steps, preparing to deliver a final goodbye.
He never got the chance.
"I'm sorry! I'm so sorry I'm late—!"
The voice hit Timothy like a physical blow.
He watched a familiar silhouette blur past him. He watched her run toward the Director, her head bowed in a frantic, breathless apology.
She had appeared out of the morning light like a ghost from a fairy tale.
The same way she had vanished.
Timothy began to tremble.
I thought I had forgotten the scent of her hair. I thought I had erased the specific shade of the coat she wore. I thought, after all this time, I could no longer reconstruct her face in the dark.
He was wrong. He remembered every single detail.
"Mia..."
The woman froze. She turned slowly, her soft gray eyes widening as the blood drained from her face.
Timothy lunged.
He didn't speak. He didn't ask for permission. He simply hauled her into a crushing embrace, holding her so tight it felt like he was trying to merge their shadows. He held her as if he expected her to evaporate the moment he closed his eyes.
Sometimes, the thread of fate isn't long enough to last a lifetime. Sometimes, it only reaches the halfway point.
The world had grown vast, and the years had grown long. Met with the impossible return of the girl from Cambridge, Timothy Brown could only utter the oldest, most worn-out greeting in history.
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